Where we started. Where we are now.
Enter360 has spent twenty-five years building things the web, the market, or the tools were not quite ready for. Virtual reality tours on dial-up. Clean URLs before they were standard. Documentaries as sales tools. AI-native products before the term existed. This is the record, in order.
- 2000 Winnipeg
A broker sees the future at the low end.
Enter360's founder was a real estate broker when the first virtual tours reached the industry: low-end mirror rigs, soft images, and agents who would not pay for them. He saw the market and built the high-end version instead: interactive maps, floor plans, and immersive 360-degree imagery, with rendering software of the studio's own. The name says what the company did. Enter the 360.
The first enter360.com. Orange, a spiral, five menu items. - 2001 to 2002 Winnipeg
Virtual reality for a city that had never seen it.
In one stretch the studio put Osborne Village online block by block, click a storefront, step inside, see the restaurant, years before Google Maps existed. Then the Wellness Institute at Seven Oaks General Hospital. Then the Costume Museum of Canada: the whole museum walkable in 360, and about a hundred costumes and objects photographed on turntables, a frame at a time, so a visitor could pull one up and turn it around. Online, and on a CD-ROM sold in the gift shop. A St. Boniface tour made the French CBC news; Osborne Village made the English one.
Around it grew Manitoba Virtual Tours, a directory of 360 tours across 34 categories, from the Legislative Building to concerts, hotels, restaurants, and a tattoo parlor; a virtual scoreboard for the Goldeyes with 360s shot from the field; and Ambrosia, a spa with an interactive floor plan where every room was a tour. The infrastructure to deliver any of it barely existed. Most of it arrived over dial-up.
Then September 11 emptied the room of investors. The studio diversified to survive: web design first, because clients liked the sites, then print, because they asked. That is how an agency happened.
Clients of the eraWinnipeg Goldeyes, Osborne Village BIZ, Downtown Winnipeg BIZ, Costume Museum of Canada, Wellness Institute at Seven Oaks General Hospital, Deer Lodge Centre, EyeTech LASIK Clinic, Ambrosia and Ojas, Heritage Winnipeg, Red River College, Slimline Sunrooms
The original 360, 2002. Drag to look aroundCanWest Global Park from the mound, shot in 360 for the Goldeyes' virtual scoreboard, 2002. The real frame, live again.
The Costume Museum of Canada: the exhibit in 360, with the stories told in the first person. Virtual Museum of Canada, 2001.
Osborne Village: click a block, walk the street, step into a shop. Economic development, before Google Maps.
Ambrosia and Ojas: an interactive floor plan, three floors, every room a 360. 
The Apothecary at Ambrosia, billed as the first full medicinal plant pharmacy in Canada. Shot in 360, 2002. Three of about a hundred. Costumes photographed on turntables in 2001, 36 frames each, recovered from the original object-movie files and restored. They spin again. - 2002 Winnipeg
EyeTech LASIK. The first turnaround.
A clinic with the newest laser in the country and no patients. The studio photographed eleven rooms in 360, filmed the procedure for eleven minutes without a cut on macro lenses, gated the film behind an email signup, and pointed the clinic at the United States. It booked out until the surgeon retired. Every turnaround since has run the same way: research first, then whatever the fix requires. Deer Lodge Centre followed the same year.
Read the EyeTech case study
The operating room, from the tour that still runs on the case study page. - 2003 to 2012 Winnipeg
The agency years. Ecommerce, print, and a software company by accident.
SWFA needed a store that would not fall over on weekends, so the studio financed and built one: clean URLs before they were standard, a browser-based back office, and online revenue from $67,000 to $3 million a month. The platform became Umbilical Software, productized and later sold. Catalogs followed, four a year at 300 pages, print runs above 100,000. FOXPRO came next, six years as agency of record, from the first national ads to the first retail box. Tink's went to television. At its height Enter360 Media Group ran about twenty people.
Clients of the eraSWFA, SuperSniper, FOXPRO, Tink's, Bryant Custom, Lilja Precision Rifle Barrels, Prairie Precision Rifles, Tactical Solutions, LightForce, RJ Ryan Construction, Guardian Eagle Resort
The agency brochure: marketing experts in the hunting and shooting industry.
SWFA: the catalog machine.
Umbilical: the store that became a product.
FOXPRO: from a plain carton to the shelf at Cabela's. - 2012 Los Angeles
Story became the cornerstone.
Social media made video the most watched thing on earth, and a brand without it was invisible. The studio moved to Los Angeles, learned the Hollywood formula for story from the inside (a feature screenplay, CORNERED, later optioned; a bio documentary on Amazon; a series on Wild TV; producing and directing true crime for Discovery ID), and then rolled all of its marketing into it. Film became the anchor of every engagement, not the whole of it.
EPI Construction is the model. The film opened doors, but making it meant interviewing every founder and principal, learning the business from the inside, running the competitive analysis, and advising on where to steer the company. Around the film came the aerials, the editorial stills, consistent headshots for fifteen principals shot in a single day with makeup artists on set, the rebrand, the website, social channels and email built from nothing and handed to a trained team, and a library of cut-downs for banners and social. Gross profit doubled. Rockspring Capital and The Ranch ran the same way.
See the filmsClients of the eraEPI Construction, Rockspring Capital, The Ranch at Camp Ka Hui 'Ana, Bryant Custom, David Tubb, Tink's, Minii Ayam, In Plain Sight, CORNERED
CORNERED, the feature screenplay. Optioned once, and back in the writer's hands.
America's Rifleman, on Amazon.
EPI: the film that doubled gross profit.
Rockspring: the firm's best closer. - Now Austin, Texas
AI-native, and still ahead of the tools.
Enter360 works from Austin with senior crews hired by the day anywhere the work is. The studio still shoots and still directs: brand films for its own clients, and director and story lead for agencies that bring it onto their productions. Real cameras when the story needs them, AI-generated video when it serves the story better. The studio ships its own software again, built AI-native: CallTuneAI, PREYR, Doubleback. This site was rebuilt the same way, from a locked-down template to a modern stack in a weekend.
Twenty-five years on, the method has not changed. Find out what stopped working. Then make what fixes it, with whatever the tools allow this year.
See the technologyOwn productsCallTuneAI, PREYR, Doubleback
CallTuneAI.
PREYR.
Doubleback.
The principal. Same job, twenty-five years in.
Then and now
The same shot, twenty-five years apartThe point was never the tool. It was being early to it, every time, on behalf of a client with a problem.